More than 80 films have been submitted to the Oscar race for Best International Film, the new name for what until now has been known as the Best Foreign-Language Film category.Other films may have been submitted by their home countries without being publicly announced. The deadline for submissions is Oct. 1, and the Academy will announce the full list of qualifying films a few days after that deadline, after vetting all entries to make sure they qualify.Typically, a handful of films that weren’t announced by their home countries end up on the list, and often one or two that were announced are disqualified by the Academy. With 18 countries that submitted films last year or in 2017 yet to announce, the number of submissions this year is likely to be close to last year’s total of 87, and could conceivably approach the 2017 record of 92.The clear front-runners in the first batch of entries are two films that won awards in Cannes, both of which have their sights set on landing Oscar nominations outside the international category: South Korea’s “Parasite,” a virtuosic black comedy which won the Palme d’Or and could make a serious run at Best Picture and Best Director for Bong Joon Ho; and Spain’s “Pain and Glory,” a semi-autobiographical fantasia from Pedro Almodovar that found Antonio Banderas winning Cannes’ best-actor award for his quietly gripping performance as an Almodovar-like director.Also Read: ‘Parasite’ Film Review: Bong Joon-ho Tackles Disparity With Delicious Dark ComedyOther high profile entries include France’s “Les Miserables,” which won the third-place Jury Prize in Cannes this year; Brazil’s “The Invisible Life of Euridice Gusmao,” from Karim Ainouz; Colombia’s “Monos,” from Alejandro Landes, which has already had a U.S. release; Japan’s “Weathering With You,” the first animated film to be submitted this year; and several other films that also played in Cannes, including Romania’s “The Whistlers,” from Corneliu Porumboiu, Morocco’s “Adam,” Portugal’s “The Domain” and Palestine’s “It Must Be Heaven.”Here is a list of the submissions that have been announced to date, with links to trailers when available. An asterisk indicates that TheWrap has seen the film.The list will be updated as additional films are announced.Also Read: Yes, ‘The Irishman’ Will Be a Killer Contender at the OscarsAfghanistan “Hava, Maryam, Auyesha” Director: Sahraa Karimi The Afghan entry gets its title from the names of its three central characters, women from diverse backgrounds and classes who are facing pregnancy under differing circumstances. The film premiered in at the Venice Film Festival and has attracted a prominent fan in Angelina Jolie, who issued a public message of support. Subtitled trailerAlbania “The Delegation” Director: Bujar Alimani Set in late 1990, “The Delegation” looks at the communist regime in Albania as it decides to free a political prisoner to help persuade a European delegation that the county is making reforms and deserves to be admitted to the OSCE security body. Director Alimani has represented the country twice before in the Oscar race, with 2011’s “Amnesty” and 2016’s “Chromium.” The country has never been nominated. Subtitled trailerAlgeria “Papicha” * Director: Mounia Meddour Premiering in the Un Certain Regard section of this year’s Cannes Film Festival, “Papicha” stars Lyna Khoudri as a young fashion-design student who chafes at the increasing social conservatism during the Algerian Civil War during the 1990s. Its Oscar eligibility was put in jeopardy when local authorities cancelled its Algerian release without explanation just before the Academy’s deadline, almost certainly because of political discomfort with its subject matter. Subtitled trailer“Heroic Losers”Argentina “Heroic Losers” Director: Sebastian Borensztein Ricardo Darin, who starred in Argentina’s last Oscar winner, 2009’s “The Secret in Their Eyes,” is both a star and a producer of this film, which was adapted from Eduardo Sacheri’s novel about small-town citizens trying to recover the money they lost in Argentina’s economic depression around the turn of the century. A caper film often compared to “Ocean’s Eleven,” it played at the Toronto International Film Festival in September, after its Argentinian release. Subtitled trailerAlso Read: ‘Pain and Glory’ Film Review: Antonio Banderas Plays Pedro Almodóvar – Sort OfArmenia “Lengthy Night” Director: Edgar Baghdasaryan Armenia’s eighth Oscar submission is a historical drama that spans 1,000 years, telling stories that are set in 1003, 1915 and 2018 and are tied together by the presence of a mysterious stone. It won the best film award at the Anahit National Award Ceremony. Subtitled trailerAustralia “Buoyancy” Director: Rodd Rathjen In its Oscar submissions, Australia has sometimes submitted films in the country’s indigenous languages, sometimes films set in other countries. “Buoyancy” falls into the latter category and is set in Thailand, where a teenage Cambodian boy finds himself a victim of human trafficking. It was shot largely at sea. Subtitled trailerAustria “Joy” * Director: Subadeh Mortezai This drama from Mortezai, a director who came up in documentaries, focuses on a Nigerian woman bound to a sex-trafficking ring in Vienna by fear and superstition. Made in a variety of languages including a surprisingly large amount of English, the film won the top prize at the 2018 London Film Festival, as well as other awards in Venice and Chicago, and is now available on Netflix. Subtitled trailerBangladesh “Alpha” Director Nasiruddin Yousuff The central character in this film is a poor painter who lives in a shack perched over a lake in Dhaka. Yousuff, who made two previous features before this one, occasionally slips into a surreal storytelling style as he examines the inequities and injustices of life in Bangladesh. Trailer (no subtitles)Belarus “Debut” Director: Anastasiya Miroshnichenko The fourth film to be submitted by Belarus is its first documentary entry, and was chosen from three eligible films. It takes place inside a women’s prison that houses first-time offenders, focusing on 11 inmates who are taking place in a theatrical production inside the facility. Subtitled extended trailerBelgium “Our Mothers” Director: Cesar Diaz Diaz won the Camera d’Or for the best first film at this year’s Cannes film festival for his Belgian-Guatemalan drama set during the 2018 trials of those responsible for Guatemala’s lengthy civil war. Its central character is an anthropologist who thinks he has a clue to the whereabouts of his father, a guerilla fighter who disappeared in the 1980s. Subtitled film clipBolivia “Tu me manques” Director: Rodrigo Bellot Bellot, who represented Bolivia in the Oscar race with “Sexual Dependency” in 2003, is back with a film that stirred up controversy in its home country because of its story of a man confronting his gay son’s lover in the wake of the son’s suicide. The film is an adaptation of a 2015 stage play by Bellot and won a screenplay prize at Outfest last year. Trailer (no subtitles)Bosnia and Herzegovina “The Son” Director: Ines Tanovic Director Ines Tanovic, whose film opened this year’s Sarajevo Film Festival, represented Bosnia and Herzegovina in the Oscar race four years ago with “Our Everyday Life.” “The Son” focuses on a teenager whose younger stepbrother is drawn into drug addiction.Subtitled trailer.“The Invisible Life of Euridice Gusmao”Brazil “The Invisible Life of Euridice Gusmao” Director: Karim Ainouz While many thought Brazil would submit the Cannes main-competition entry “Bacurau,” the country instead went for this film, which played in the Un Certain Regard sidebar at Cannes and won the top prize in that section. The period melodrama is drawn from the 2016 novel by Martha Batalha about two sisters struggling with the patriarchal society of 1950s Brazil. Subtitled trailerBulgaria “Aga” * Director: Milko Lazarov Lazarov’s film is set not in Bulgaria, but in the Arctic regions far to the north, where the traditional way of life is becoming more difficult for an elderly couple. Nodding to the 1922 classic “Nanook of the North” via the name of its lead character, Nanook, the film is a quiet character study that subtly address the effects of climate change in a landscape of surpassing beauty and desolation. Subtitled trailerCambodia “In the Life of Music” Director: Caylee So, Sok Visal “In the Life of Music” spans three generations in the life of a Cambodian family in three chapters set in 19765, 1986 and 2006. It focuses on the Sinn Sisamouth song “Champa Battambang,” a staple at Cambodian weddings, but also deals with the rise of the murderous Khmer Rouge regime in the country. Subtitled trailerCanada “Antigone” Director: Sophie Deraspe The fifth feature from director Sophie Deraspe focuses on a teenage girl who helps her brother escape from prison. It won the award as the best Canadian film at the recent Toronto International Film Festival. Subtitled trailer“Spider”Chile “Spider” Director: Andres Wood Two years after winning the Oscar for “A Fantastic Woman,” Chile has submitted a political thriller focusing on members of a right-wing paramilitary group that was backed by the CIA and fought the Salvador Allende government before dictator Augusto Pinochet came to power in 1973. Spanning 40 years, the film from director Wood (who has represented Chile three times in the Oscar race) ties the past together with the rise of neo-nationalism today. Subtitled trailerColombia “Monos” * Director: Alejandro Landes Landes, whose admirers include Oscar-winning directors Guillermo del Toro and Alejandro G. Inarritu, has fashioned a tale about a group of teens who are guarding an American hostage (Julianne Nicholson) in a remote outpost, answering only to a shadowy group called the Organization. The film, with hints of “The Lord of the Flies” and a dark, adventurous style, has already received a U.S. theatrical release. Trailer (no dialogue)Costa Rica “The Awakening of the Ants” Director: Antonella Sudasassi In the 14 years in which it has been submitting films to the Oscars, Costa Rica has a history of sending films that feature young female protagonists. “The Awakening of the Ants” is no exception, focusing on a young wife and mother whose societal and sexual frustration erupts into surreal fantasies. Subtitled trailerCroatia “Mali” Director: Antonio Nuic Nuic is representing Croatia for the second time in the Oscar race, after 2009’s “Donkey.” Actor Vito Dijak plays a father struggling to get custody of his son after returning from four years in prison for dealing drugs. Subtitled trailerCuba “A Translator” Director: Rodrigo Barriuso, Sebastian Barriuso The miniseries “Chernobyl” cleaned up at the Emmys, which might give a boost to this Sundance drama about the little-known fact that thousands of children affected by radiation from the nuclear accident were sent to Cuba for treatment. The main character, a Cuban professor of Russian literature who is ordered to a hospital to serve as a translator between doctors and sick children, is based on the directors’ father. Subtitled trailer“The Painted Bird”Czech Republic “The Painted Bird” Director: Vaclav Marhoud This adaptation of Jerzy Kozinski’s 1964 novel about a young Jewish boy wandering through Eastern Europe in World War II won raves when it premiered at the Venice Film Festival, along with some walkouts during its most violent scenes. The black-and-white drama, which is being released in the U.S. by IFC, is the first film ever made in the Interslavic language, a semi-created language designed to allow speakers of five-different Slavic languages to communicate. Subtitled trailerDenmark “Queen of Hearts” Director: May el-Toukhy With one win, five nominations and two short-listed films in the last nine years, Denmark has been the most successful country at the Oscars over the last decade. “Queen of Hearts” won the audience award at Sundance this year and stars Trine Dyrholm as a lawyer who becomes attracted to her teenage stepson. Subtitled trailerDominican Republic “The Projectionist” Director: Jose Maria Cabral Moviegoers and film-first diehards who feel threatened by the rise of Netflix may be attracted to this drama, whose protagonist is a middle-aged man who drives from one small Dominican town to the next with a portable movie projector, bringing film to towns that don’t have theaters. Jose Maria Cabral has directed three of the 12 Dominican Oscar entries, with 2012’s “Jaque Mate” and 2017’s “Woodpeckers” preceding “The Projectionist.” Subtitled trailerEcuador “The Longest Night” Director: Gabriela Calvache A young mother who supports her daughter by working as a prostitute finds an opportunity to free herself from the mob boss who controls her in this Ecuadorian crime drama. The film premiered at this year’s South by Southwest Film Festival. Subtitled trailerEgypt “Poisonous Roses” Director: Fawzi Saleh Based on the 1990 novel “Poisonous Roses for Saqr,” this film centers on a sister and brother who live with their mother in the impoverished tannery district of Cairo. Saleh made the 2010 documentary “Living Skin” about the residents of that dangerous neighborhood, but this is his first narrative feature. Trailer (no dialogue)Estonia “Truth and Justice” Director: Tanel Toom Director Toom won a Student Academy Award and was nominated for an Oscar for his short “The Confession” in 2010. “Truth and Justice” is a period drama about a rivalry between neighbors set in a rural area in the late 19th century; it broke the ticket-sales record set by “Avatar” in Estonia. Subtitled trailerEthiopia “Running Against the Wind” Director: Jan Philipp Weyl Ethiopia’s fourth Oscar entry comes from German-born director Weyl, who has often worked in the country. It tells the story of two brothers, one of whom wanted to become a photographer and the other with dreams of becoming an Olympic runner.Finland “Stupid Young Heart” Director: Selma Vihunen Vihunen, an Oscar nominee for the 2013 short “Do I Have to Take Care of Everything?,” deals with both teen pregnancy and anti-immigrant sentiment in “Stupid Young Heart.” The film is a teen romance about a young couple who are expecting a child when the boy joins a neo-Nazi group. Subtitled trailer“Les Miserables”France “Les Miserables” * Director: Ladj Ly This tense drama about a conflict between Paris police and a group of young black men that escalated out of control received some of the best reviews in Cannes this year, although the jury did not award it any prizes. It was chosen to represent France from a field that also included the Cannes screenplay winner “Portrait of a Lady on Fire.” Trailer (no subtitles)Georgia “Shindisi” Director: Dito Tsintsadze Russia’s often troubled relationship with its neighbors comes to the fore in “Shindisi,” which is set during the Russo-Georgian War in 2008 and focuses on the small group of Georgian fighters who held off a larger Russian force in the Shindisi Battle. Tzintsadze’s film “Mediator” was Georgia’s Oscar selection in 2008. Trailer (no subtitles)Germany “System Crasher” Director: Nora Fingscheidt This film about an unruly young girl trying to get out of Germany’s child-welfare system won the Berlin Film Festival’s Alfred Bauer Prize, which goes to a film that “opens new perspectives on cinematic art.” It is the first narrative feature for Fingscheidt, whose last film was the documentary “Ohne diese Welt.” Subtitled trailerGhana “Azali” Director: Kwabena Gyansah Ghana’s first-ever Oscar submission stars newcomer Asana Alhassan as a 14-year-old girl who escapes from an arranged marriage and from sex trafficking to find herself in the slums of Accra. The country had never submitted a film in the past partly because its official language is English, which meant most of its films, particularly the ones with hopes of international exposure, were also in English. Subtitled trailerGreece “When Tomatoes Met Wagner” Director: Marianna Economou Since its surprise 2009 nomination for the surreal “Dogtooth,” Greece has been torn between submitting daring, adventurous films and more mainstream ones. “When Tomatoes Met Wagner” falls squarely in the latter category, following some elderly women in a small Greek village who grow heirloom tomatoes from hundreds-year-old seeds. Subtitled trailerHong Kong “The White Storm 2 – Drug Lords” Director: Herman Yau Hong Kong has submitted a number of action films to the Oscars over the years, but none have been nominated and only the period epic “The Grandmaster” has made the shortlist. “The White Storm 2,” which isn’t really a sequel to 2013’s “The White Storm,” deals with a war within the Hong Kong underworld over the drug trade. Subtitled trailerHungary “Those Who Remained” Director: Barnabas Toth World War II, always a popular topic among international Oscar submissions, is the backdrop for this film about a middle-aged doctor and a teenage girl who meet in Budapest after the war, and after losing their families in the Holocaust. Hungary has two nominations and one winner (“Son of Saul”) in the last four years. Subtitled trailer“A White, White Day”Iceland “A White, White Day” Director: Hlynur Palmason Palmason’s second feature stars Ingvar Sigurdsson as a former police chief who becomes obsessed with learning if his late wife had an affair with a local man. The film premiered at the Cannes Film Festival in the Critics’ Week sidebar. Subtitled trailerIndia “Gully Boy” Director: Zoya Akhtar This music-driven story about an aspiring rapper from Mumbai has been widely compared to an Indian version of Eminem’s 2002 drama “8 Mile.” After premiering at the Berlin Film Festival in February, it was released around the world and became the top-grossing Bollywood film of 2019 internationally. Trailer (no subtitles)Indonesia “Memories of My Body” Director: Garin Nugroho Loosely based on the life of Indonesian dancer Rianto, this coming-of-age story was banned in several cities in its homeland for its portrayal of a young man exploring his sexuality and embracing both his masculine and feminine sides. It won a 2018 Venice Film Festival award as the top film in the Horizon section, and also the Cultural Diversity Award at the 2018 Asia Pacific Screen Awards. Subtitled trailerIran “Finding Farideh” Director: Kourosh Ataee, Azaden Moussavi The first documentary ever submitted to the Oscars by Iran is about a 40-year-old, Iranian-born woman who was adopted by a Dutch family but returns to Iran to find her birth parents. Iran has won the Oscar twice in the last seven years, both times for films by Asghar Farhadi. Subtitled trailer“Incitement”Israel “Incitement” * Director: Yaron Zilberman A psychological portrait of an assassin, “Incitement” follows the radicalization of Israeli student Yigal Amir, who shot and killed prime minister Yitzhak Rabin because of his attempts to make peace with the Palestinians. Its provocative approach caused its Israeli release to be held until after the recent elections, but the film secured its Oscar submission by winning the top prize at the 2019 Ophir Awards. Subtitled film clipItaly “The Traitor” * Director: Marco Bellocchio Sony Pictures Classics Italy leads all countries in Oscar wins, though it has done so only once (with “The Great Beauty”) in the last 20 years. “The Traitor,” which premiered in the main competition at this year’s Cannes Film Festival, is about Tommaso Buscetta, a high-ranking member of the Sicilian Mafia who turned informant and helped lead to hundreds of convictions. Subtitled trailerJapan “Weathering With You” Director: Makoto Shinkai The U.S. rights to this animated Japanese film, the first animated film submitted to the Oscar international competition by Japan since “Princess Mononoke” in 1997, are held by GKIDS, which has had a very successful run of Best Animated Feature nominees. The film by “Your Name” director Shinkai deals with a teenage boy who befriends an orphan girl who seemingly can control the weather. Subtitled trailerKenya “Subira” Director: Ravneet Sippy Chadha The Kenyan Film Commission, which has submitted four films to the Oscars since 2012, said it only received two submissions this year for Oscar consideration. It chose “Subira,” starring Brenda Wairimu as a young girl whose dreams extend far beyond the arranged marriage and restrictive lifestyle offered in her town. Subtitled trailerKosovo “Zana” Director: Antoneta Kastrati As usual with submissions from the former Yugoslavia, the civil war that ravaged the region in the ’90s haunts “Zana.” Adriana Matoshi plays a woman who lost her child in the war and turns to traditional rituals to become pregnant again. Subtitled trailerKyrgyzstan “Aurora” Director: Bezkat Pirmatov Pirmatov’s feature debut is a drama set in a large, Soviet-era sanitarium on the shores of the Issyk-Kul lake in the Central Asian country. The sanitarium serves as a microcosm of the entire country, but over the course of a single day things change due to a “sudden break of the balance between time and space,” according to the director. Trailer (no subtitles)Latvia “The Mover” Director: Davis Simanis Another story of World War II and the Holocaust, “The Mover” focuses on Zanis Lipke, a blue-collar worker who has been dubbed the “Latvian Schindler” for saving more than 60 Jews in his Nazi-occupied country during the war. The film is based on the fact-based novel “A Boy and a Dog” by Inese Zandere and Reinis Petersons. Trailer (no English subtitles)Lebanon “1982” Director: Oalid Mouaness Mouaness’ drama, which is based on his own experience, takes place in a private school outside Beirut over the course of the single day in which Israel invaded Lebanon in 1982. One of its leading actors is Nadine Labaki, who directed the 2018 “Capernaum,” which landed an Oscar nomination for Lebanon in this category. Subtitled trailerLithuania “Bridges of Time” Director: Kristine Briede, Audrius Stonys For the second year in a row, Lithuania has submitted a documentary to the Oscars. Last year’s entry (“Wonderful Losers: A Different World”) was about competitive cycling, but this is a documentary film about documentary filmmakers – specifically, the documentary directors from Estonia, Latvia and Lithuania who made up the “Baltic New Wave” in the 1960s. Subtitled trailerLuxembourg “Tel Aviv on Fire” Director: Sameh Zoabi Kais Nashef won the best-actor award in the Orizzonti section of the 2018 Venice Film Festival for his performance in this film as a production assistant on a Palestinian soap opera. A satire that touches on show business as well as Middle East tensions, the film finds Nashef’s P.A. unexpectedly thrust into a job as a screenwriter. Subtitled trailerMexico “The Chambermaid” Director: Lila Aviles Like “Roma,” Mexico’s winner in this category last year, “The Chambermaid” is an understated character study of a domestic worker. But Aviles’ film takes place in a luxury hotel, where it painstakingly and quietly follows the day-to-day routine of a 24-year-old maid and young mother. Subtitled trailerMontenegro “Neverending Past” Director: Andro Martinovic Martinovic’s debut feature is an anthology film that tells three different stories about fathers and sons. The first is set during World War II, the second at the time of the fall of the Berlin Wall and the third during the breakup of Yugoslavia in the early 1990s. Subtitled trailerMorocco “Adam” Director: Maryam Touzani Director Touzani was inspired by an incident involving her parents to make this film about an unwed pregnant woman taken in by a baker at a time when it was illegal to have a child out of wedlock. The film premiered in Cannes’ Un Certain Regard section this year. Its producer, Nabil Ayouch, has directed four of the 15 Moroccan Oscar submissions, going back to “Mektoub” in 1998. Trailer (no subtitles)Nepal “Bulbul” Director: Binod Paudel The three-wheeled, battery-powered vehicles used as taxis and known as tempos are predominantly driven by men in Nepal, but Paudel’s film focuses on a young mother who does the job. Nepali actress and music-video model Swastima Khadka plays the lead role. Trailer (no subtitles)“Instinct”Netherlands “Instinct” * Director: Halina Reijn “Game of Thrones” actress Carice van Houten stars in this tense psychological drama about a prison psychologist who finds herself inexorably drawn to a man convicted of sexual assaults. Director Halina Reijn’s subtle film is an unusually provocative examination of female sexuality, with standout performances from van Houten and Marwan Kenzari. Trailer (no subtitles)North Macedonia “Honeyland” Director: Tamara Kotevska, Ljubomir Stefanov The highest-profile documentary to be submitted to the Oscar international race, “Honeyland” is a cinema verité look at a Macedonian beekeeper whose daily life showcases the increasingly perilous balance between human beings and the natural world. A Sundance premiere that won that festival’s documentary jury award, it also appeared on the recent DOC NYC list of the 15 likeliest awards contenders among this year’s nonfiction films. Subtitled trailerNorway “Out Stealing Horses” Director: Hans Peter Moland The Silver Bear cinematography winner at this year’s Berlin Film Festival stars Stellan Skarsgard as a widower whose move to the country brings back memories of the summer of 1948, the year he turned 15. Earlier this year, director Moland made his English-language debut with “Cold Pursuit,” a remake of his 2014 Norwegian film “In Order of Disappearance.” Subtitled trailerPakistan “Laal Kabootar” Director: Kamal Khan The friendship between a taxi driver in Karachi and a woman who is searching for her late husband’s murderers drives this action crime thriller. Pakistani selection committee member Hamna Zubair called it “the most sophisticated film Pakistani cinema has produced in the last few years.” Subtitled trailer“It Must Be Heaven”Palestine “It Must Be Heaven” * Director: Elia Suleiman Suleiman’s first feature film in 10 years is an exploration of nationality and identity that explores those issues with deadpan humor and comic invention, winning a special mention in the screenplay category from the Cannes jury. The director himself plays the lead character, who takes in the absurdities of the world around him as the film ambles through a series of short sketches and vignettes. Trailer (no dialogue)Panama “Everybody Changes” Director: Arturo Montenegro South and Central American countries have been fairly regularly submitting films with LBGT themes in recent years, including Chile’s Oscar-winning “A Fantastic Woman.” Panama did so this year with “Everybody Changes,” a drama about a father who comes out as a transgender woman to his wife and three children. Subtitled trailerPeru “Retablo” Director: Alvaro Delgado-Aparicio Named after the Spanish word for small devotional artwork, “Retablo” focuses on a boy who is being trained by his father to follow the family trade of creating that religious art, but who is shaken when he learns a secret about his father. The film won the award as the best LGBT-themed debut film at this year’s Berlin Film Festival. Subtitled trailerPhilippines “Verdict” Director: Raymond Ribay Gutierrez Like the 2016 Philippine entry “Ma Rosa,” “Verdict” deals with the way the system is stacked against working-class people – though in this case it examines the labyrinthine criminal justice system through the eyes of a woman who had been the victim of domestic abuse. The film won a special jury prize at the Venice Film Festival, where it was the only film from Southeast Asia in the program. Subtitled trailerPoland “Corpus Christi” Director: Jan Komasa With four nominations and one win (“Ida”) in the last 12 years, Poland has been enjoying a good run at the Oscars. “Corpus Christi,” which premiered in Venice, deals with a young man who undergoes a spiritual transformation while in a juvenile facility for second-degree murder, but whose ambitions to become a priest are stymied by his criminal record. Subtitled trailerPortugal “The Domain” (“A Herdade”) Director: Tiago Guedes Trying to break its record streak of 35 Oscar submissions without a nomination, Portugal has submitted a two-hour-and-46-minute epic that covers eight decades in the life of a wealthy family. Well-known Portuguese stage actor Albano Jeronimo has his first starring film role as the head of a family through whom we see the political and social history of the country since the 1940s. Subtitled film clip“The Whistlers”Romania “The Whistlers” * Director: Corneliu Porumboiu One of the most fruitful sources of international cinema over the last two decades, Romania hopes to end its baffling exclusion from the roster of Oscar nominees with this dark procedural from “Police, Adjective” director Porumboiu. The story of a police officer who has to learn a local language that consists entirely of whistling in order to free an imprisoned businessman, “The Whistler” is an oversized, twisted film that runs on an endless supply of black humor and a sizeable body count. Subtitled clipRussia “Beanpole” * Director: Kantemir Balagov The 27-year-old director Balagov won the directing prize in Cannes’ Un Certain Regard section for this dark story set in a ravaged Leningrad in the aftermath of World War II. The central characters are two army nurses shattered by the war but tasked to help with the healing process. Subtitled trailerSerbia “King Peter of Serbia” Director: Petar Ristovski Biopics about national heroes typically have a rough time advancing in the Oscar race, but Serbia has submitted the story of King Peter I, the last King of Serbia and the first King of the Serbs, Croats and Slovenes. Director Ristovski has also turned the material into an 11-episode series for Serbian television. Trailer (no subtitles)Singapore “A Land Imagined” Director: Yeo Siew Hua The central character in this mystery thriller is a police investigator trying to solve the disappearance of a Chinese migrant worker. Since it premiered in Locarno in 2018, the film has won awards at that festival and also at the Asia Pacific Screen Awards and festivals in Rotterdam, London, Nepal, China, the Philippines, Singapore and Spain.Slovakia “Let There Be Light” Director: Marko Skop Skop has directed two narrative features since his early work in documentaries, and both of those features – this one and 2015’s “Eva Nova” – have represented Slovakia in the Oscar race. It deals with a Slovakian carpenter who returns to his hometown from Germany to find that his son has joined a violent, extreme far-right paramilitary group. Subtitled trailerSlovenia “History of Love” Director: Sonja Prosenc The protagonist of Prosenc’s second film is a 17-year-old, hearing-impaired girl whose discovery that her late mother kept secrets from her sends both her and the film into a dream-like state. The film premiered at the Karlovy Vary Film Festival in 2018. Trailer (English dialogue)“Knuckle City”South Africa “Knuckle City” Director: Jahmil X.T. Qubeka This is the second year in a row that a film by Qubeka has been submitted by South Africa, with this and last year’s “Sew the Winter to My Skin” making him the country’s only back-to-back representative. Set in the township where Qubeka grew up, the film deals with an aging boxer teaming up with his career criminal brother for one last shot at success. Subtitled trailerSouth Korea “Parasite” * Director: Bong Joon Ho The closest South Korea has ever come to an Oscar nomination was last year, when “Burning” made the shortlist but wasn’t nominated. “Parasite” is the odds-on favorite to end that surprising streak of futility, and maybe even break into categories like Best Picture and Best Director. Bong Joon Ho’s Palme d’Or winner uses black humor to tackle the issue of disparity in the story of a lower-class family whose fortunes improve when they manage to make themselves indispensable to a rich clan. Subtitled trailerSpain “Pain and Glory” * Director: Pedro Almodovar Almodovar looks back at his own life in this gentle reverie, in which he reimagines his life as a fantasia borne out of the cinematic vocabulary he’s created over the last four decades. Antonio Banderas was named the best actor at Cannes for his quiet and enormously affecting performance as a director who is not Almodovar but is definitely modeled after Almodovar. Subtitled trailerSweden “And Then We Danced” Director: Levan Akin Swedish-born director Akin went back to his Georgia roots for this story of a young Georgian dancer who begins to question his sexuality when a new, rival dancer arrives on the scene. The film premiered in the Directors Fortnight sidebar at Cannes. Subtitled trailerSwitzerland “Wolkenbruch’s Wondrous Journey Into the Arms of a Shiksa” Director: Michael Steiner The first Swiss submission in Yiddish, and the first Swiss film bought by Netflix, “Wolkenbruch’s Wondrous Journey” is set in the Orthodox Jewish community in Zurich, where the title character falls in love with a non-Jewish woman. Opening in its home country in late 2018, the comedy became the top Swiss film of that year. Trailer (no subtitles)Taiwan “Dear Ex” Director: Mag Hsu, Hsu Chih-yen A widow and her teenage son find that their late husband and father left his money not to them but to a secret gay lover in this comedy from a pair of Taiwanese directors. It won four prizes at the Taipei Film Awards. Subtitled trailerThailand “Inhuman Kiss” Director: Sitisiri Mongkolsiri You don’t often find a horror film submitted to the international Oscar race, but Thailand entered one this year. “Inhuman Kiss” stars Phantira Pipityakom as a teenage girl who inherits the curse of a nocturnal female spirit known in Thailand as “Krasue,” and whose head detaches from her body each night to go hunting for victims. Subtitled trailerTunisia “Dear Son” Director: Mohamed Ben Attia The last film from Belgium’s social-realism auteurs the Dardenne brothers, “Young Ahmed,” dealt with the radicalization of a young Islamic boy, and the Dardennes also served as co-producers on “Dear Son,” which wades into similar territory. It follows a middle-class couple whose teenage son leaves Tunisia for Syria, where he joins ISIS. Subtitled trailerTurkey “Commitment” Director: Semih Kaplanoglu Kaplanoglu represented Turkey at the Oscars nine years ago with “Honey.” He’s back with this drama about a new mother who hires a babysitter and begins to face things about herself that she has refused to admit. Trailer (no subtitles)Uganda “Kony: Order From Above” Director: Steve T. Ayeny Uganda has never before submitted a film to the Oscars, but its first-ever entry has contributed to an unusually robust group of African entries this year. “Kony” sets a romance between two young people against the backdrop of the Lord’s Resistance Army insurgency in Uganda during the 1990s. Subtitled trailerUkraine “Homeward” (“Evge”) * Director: Nariman Aliev When “Homeward” premiered in the Un Certain Regard section of Cannes in May, its home country was not yet at the middle of an impeachment inquiry. But the sorrowful, intimate “Homeward” is only political under the surface; it’s a spare and sad road trip in which a father drives across the country with his sullen younger son and the corpse of his older son, a soldier who was killed in fighting with Russia. Trailer (no subtitles)“The Moneychanger”Uruguay “The Moneychanger” * Director: Federico Veifoj Money-laundering is a source of dark comedy in “The Moneychanger,” in which a banker takes advantage of loose currency laws and economic uncertainty to become a highly successful money launderer. The satire is Veiroj’s second time representing Uruguay in the Oscar race, and is looking to become the country’s first nominee in 19 submissions, two of which were disqualified. Subtitled trailerUzbekistan “Hot Bread” Director: Umid Khamdamov Another country submitting to the Oscars for the first time, Uzbekistan has entered a drama about a teenage girl who wants to move from the small village where she lives with her grandmother to the city where her mother works. The film won best-film and screenplay awards at Uzbekistan’s national film awards.Venezuela “Being Impossible” Director: Patricia Ortega The lead character in Ortega’s second feature is a young intersex woman who questions her gender identity after learning that as a child she underwent a series of surgeries to conform to a female body. The director said she made the film to explore a topic that is never discussed in Latin America. Subtitled trailerVietnam “Furie” Director: Le Van Kiet The first martial arts movie ever submitted to the Oscars by Vietnam, “Furie” is about a former gang leader who is drawn back to her past life when her daughter is kidnapped. The film received a U.S. release in March and is now available on Netflix. Subtitled trailerRead original story Oscars International Race Nears Record for Entries as Deadline Approaches At TheWrap
September 30, 2019Read More
Recent Comments